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'Sara'S' review: Anchored by a powerful script, this simple film breaks the conventions of the feel-good template

Jude Anthany Joseph's third feature, after Ohm Shanti Oshana and Oru Muthassi Gadha, released on Prime Video at midnight today. This seemingly feel-good film, also seemingly made in limited spaces and with a shoestring budget, tackles a concept and issue never tested before in Malayalam cinema  circles. In Sara'S, we follow the life of Sara Vincent (Anna Ben), a young, bubbly, yet unapologetic filmmaker who struggles to make it big in the industry. She continuously assists male directors and is in the scripting works of her dream film. Sara has decided, from her school days, that she would not bear any kids. This is when she meets Jeevan (Sunny Wayne); her relationship with him subsequently brings her ideology and decision into a confrontation with the established norms of society, family and child-rearing.  Anna Ben in Sara'S The best aspect in which Sara'S has excelled, without doubt, is its hard-hitting taut script. Debutant Akshay Hareesh deserves praise for managin

'Raat Akeli Hai' review: A murder mystery powered by an almost-perfect cast and tonally perfect making, but fizzles out in parts

Honey Trehan's debut film, Raat Akeli Hai , released digitally on Netflix on the 31st of July. Starring a talented crop of fine artists such as Nawazuddin Siddiqui, Radhika Apte, Shweta Tripathi, Tigmanshu Dhulia and many others, Raat Akeli Hai was touted to be a film in the crime thriller genre, with many already labeling it as an Indian Knives Out. Here's our review on the desi crime thriller. A dead man, that too a powerful patriarch/politician, shot point blank in a sprawling mansion in the rural hinterlands of Gwalior, a posse of family members with unclear intentions who have not heard a thing or the commotion that ensued before it, and an unwanted newcomer to the family whose origins and backgrounds are shadier than those of the family members combined. Add to that a cop, like in other similar movies of the genre, hell bent on digging up the truth. What debutant Honey Trehan and writer Smita Singh orchestrates here is the perfect setting for a gripping whodunit. Whethe